Scripture audio studio
One reader becomes a full cast.
Record Scripture with the readers you have. Lexis turns those recordings into dramatized audio — distinct character voices, music, and effects — and converts voices while the reader's own timing, breath, and emotion pass through untouched. Files come back in the format and names they arrived with, ready for your session.
Record, transform, score, and master — in any language, including the ones the big platforms skip.
From one recording to a finished chapter
Every chapter moves through the same stages, and a person — not a model — has the final word at each gate.
Record or upload
Chapters arrive exactly as the reader recorded them. Every file is probed on arrival — sample rate and bit depth are preserved end to end, so older archives process the same as today's sessions.
The story engine casts the chapter
It finds who speaks each line in the recording, and each character's lines are re-voiced with the approved cast. The reader's pacing and emotion survive the change — only the voice identity moves.
Music and effects under the Word
Scored and mixed under the voice, never over it — levels adjustable per verse, effects word-synced where you ask for them, silence respected where the text calls for it.
Mother-tongue review
A native reviewer listens and corrects verse by verse. Corrected verses are re-voiced surgically — only the affected lines are regenerated, nothing else is touched.
Mastered delivery
Masters mirror the source format; exports transcode to WAV, FLAC, or MP3 at the rate and depth your partner's toolchain wants. Whole characters download as one folder with original filenames.
Or start from the text alone
No recordings yet? Bring a Bible as USFM and the studio dramatizes it end to end — a whole book, or the whole Bible, chapter by chapter.
Every speaker, a voice of its own
The story engine reads each chapter and finds who speaks — the narrator, Jesus' disciples, angels, unclean spirits, the crowd — and each one is voiced from your approved cast, so an angel never sounds like the narrator.
Directed emotion, line by line
Delivery is directed with stage directions written into the line — whispered, weeping, crying out. The engine proposes them; a person can override any line by hand and regenerate just that line to audition it.
Scored like a production
Music and effects sit under the Word — style per project, levels per verse, effects word-synced where the text calls for them. The same mother-tongue review gates the result before anything ships.
Voice conversion, stated honestly
Two facts govern this work, and Lexis says both out loud instead of hiding them.
Emotion is preserved, never generated
No model can edit the emotion of a real recording — and it doesn't need to. Your narrator provides the performance; conversion changes the voice identity and guarantees the performance survives. If a line needs different emotion, the reader records it again.
A voice carries its own accent
Converted speech pulls the target voice's accent into your language. Lexis warns before every conversion and offers trained native voices that structurally cannot change pronunciation — the accent-proof path for ethnic languages.
The rolled R test
On a trilled R — the sound accent damage kills first — our trained native voices kept 103–112% of the trill's strength. Standard voice conversion kept about 85%. That difference is why the native path exists.
One character, one voice
Every character converts with a fixed seed, so a character sounds like the same person in chapter 3 and chapter 40 — across hundreds of takes.
Built for the dubbing bench
Cast decisions live on a cast board seeded from the production's own casting guide. Conversion is a separate bench with per-file progress, instant A/B against the original, and settings that mirror the engine's own controls.
DAW-ready out of the box
Character folders, original filenames, mirrored formats, and an embedded conversion record in every file — drop the folder next to your session and relink.
Video dubbing and trained voices
The same studio dubs video and grows new voices — with the same honesty about what each step does.
Video dubbing that respects timing
Professional dubbing keeps the original rhythm; so does Lexis. Lines that run long or short are flagged — and can be rewritten to fit — rather than tempo-warped into unnatural speech. Only changed lines re-voice on the next pass.
Subtitles skip a whole stage
Bring an SRT or VTT file and transcription is skipped entirely — the dub starts from the words you already approved, with their timings.
Voice training per language
From recordings of a local speaker, Lexis trains a dedicated native voice for your language — the accent-proof voices in the pool were built exactly this way, and yours can be too.
Voice cloning, with consent
A real person's voice is cloned only with their signed release — the platform reminds you at the moment of cloning, not in fine print afterward.
One shared voice pool
Library voices, your clones, and your trained native voices live in one pool, filterable by language, age, and accent — cast once, reuse across projects.
Pronunciation rules that stick
Written-to-spoken rules fix how a name is said without touching the approved text — and only lines containing a changed word re-voice.
Built for the languages the platforms skip
Lexis is language-agnostic by design — nothing about a language or script is hardcoded. It runs today on Iranian-family and minority languages with real projects behind each one.
Ethnic-language first
Mazandarani, Gilaki, Khuzestani Arabic, Turk Khorasani, Chuvash — languages with no commercial voice support get trained native voices and a workflow that treats them as first-class.
Right-to-left, properly
Perso-Arabic script, RTL layout, and a fully translated Farsi interface — not an afterthought, the second face of the whole studio.
Offline-friendly review
Reviewers without reliable internet work from self-contained files and their decisions import back with conflict protection — built for the field, not the office.
Standing rules, enforced in code
The reader's performance is preserved, never fabricated — emotion in a real recording is kept, not synthesized. A voice carries its own accent, and Lexis says so before you convert. Files return in the format and under the names they arrived with. And nothing is published without mother-tongue approval — the native ear stays the final word.
Built for teams
Your recordings, your voices, your projects — with the walls in the right places.
Private by organization
Projects, cloned voices, and converted takes are visible only to your own organization — down to the raw file URLs. Another customer can never reach your recordings, even with a guessed link.
Access shaped per team
Each organization opens exactly the sections it needs — a dubbing crew can live entirely in its own workspace. Roles narrow further per member, down to a single project in a single language.
Per-language projects
One project per language version, each owning its cast and takes; the voice pool and the casting guide are shared, so a second language starts from a running start.